In my analog and digital works, I merge Anthropocene and posthuman themes with experimental approaches to photography. My artistic process revolves around exploring the dynamic relationship between humans, technology, and dystopian environments. Through a lyrical, narrative-driven lens, I investigate the shifting role of humanity: Are we in control of the processes shaping our world, or are we merely passengers in an unfolding, autonomous system?
I work in series, combining traditional photographic techniques with photograms, chemigrams, and environmentally conscious image manipulation methods. In my darkroom practice, I personally oversee the enlargement process, integrating biodegradable and recycled materials into my work. While my artistic journey was initially dominated by black-and-white photography, my Scotopia series marked a transition into color. The series examines the limits of human vision—how we perceive the world in darkness through technological mediation, and how excessive brightness can distort our perception. This exploration led me to experiment with cameraless photography, where chemical reactions and intuitive processes shape the final image. Series such as Chemicosmos, Petricosmos and Timeline extend these investigations into cosmic and microscopic realms. Molecular structures, photoreceptors, and bacterial aesthetics emerge in abstract compositions, echoing self-sustaining systems that exist beyond human influence. My works frequently question control—whether it is over nature, technology, or our own environment. In The Invisible Man, human presence is reduced to negative space, overshadowed by the cold, monumental aesthetics of control centres and industrial structures. The figure that once commanded these machines is now absent—does this suggest an ecological reckoning, a technological shift, or the survival of something entirely different?
My artistic practice aims to evoke these uncertainties, encouraging viewers to reconsider humanity’s place in a world increasingly defined by its own creations.